From 2007-2009 he worked with cyanotype at Graphicstudio to capture the motion of cassette tapes unspooling. Christian Marclay, de la musique aux sons (in French). Christian Marclay (born 1955) works in a sampling aesthetic, using fragments from the ephemera of popular culture to create new forms and meanings. A performance by Christian Marclay, from the October 29, 1989 episode of the short-lived music television show Night Music. Marclay released Record Without a Cover on Recycled Records in 1985, "...designed to be sold without a jacket, not even a sleeve!" Marlcay was born in California in 1955 and raised in Geneva, Switzerland. When Christian Marclay moved from New York to London, in the summer of 2007, he left behind some of his most valued possessions: hundreds of … Stills of Christian Marclay – Telephones, 1995, video installati… His mother was American so he held a double nationality. For more than thirty years, Marclay has explored the relationship between the visual and the audible through a variety of media, including sculpture, video, performance, collage, and music. It is a looped 24-hour video supercut (montage of scenes from film and television) that feature clocks or timepieces. The Clock is an art installation by video artist Christian Marclay. "Christian Marclay | Biography, Albums, Streaming Links", "To the Last Syllable of Recorded Time: Christian Marclay,", "Christian Marclay | Made To Be Destroyed (2016)", "Live Improvisations - Christian Marclay | Songs, Reviews, Credits", Blake Gopnik, "The 10 Most Important Artists of Today", Rundown of the Winners of the Golden and Silver Lions at the 54th Venice Biennale", "Christian Marclay: The Clock – Exhibition at Tate Modern", "Christian Marclay: Sound Stories | LACMA".  In 2016 he produced Made to Be Destroyed, a compilation of film clips showing the destruction of art works or buildings. , In 2010 he produced The Clock, a 24-hour compilation of time-related scenes from movies that debuted at London's White Cube gallery in 2010. Site broken 25 June 2011. In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material.Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images … Christian Marclay. Christian Ernest Marclay plays with perception and human experience of sensory data. A related review looks at Marclay's sound art. Christian Marclay was born in California but raised in Switzerland. Marclay began dating curator Lydia Yee in 1991, and the couple married in 2011. Christian Marclay is an American-Swiss artist known for his sculptures, videos, and music, especially his sound collages. “I’ve always been interested in how sound is visualized,” he explains. Limited-Edition Prints by Leading Artists, Allover (Dixie Chicks, Nat King Cole, and Others), 2009, Untitled, Cassette Tape Duplication (No. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism. Christian Marclay's "The Clock" ran at Paula Cooper through February 19, 2011, "Modern Women: Single Channel" at P.S. At the time of its release, technology was just reaching its peak, which is why Telephonesbecame a breakthrough piece that is often celebrated today for its pioneering role in the history of video art. Christian Marclay transforms sounds and music into visible, physical form through a prolific range of performances, collages, sculptures, installations, photographs, and videos. In 2015 the White Cube presented a major solo exhibition including a range of new work and a lively programme of weekly performances played by the London Sinfonietta and guests including Thurston Moore and Mica Levi. Directions: Christian Marclay – 1990 – Hirshhorn Museum and Sculpture Garden, Christian Marclay – 1991 – Interim Art, London, England, Christian Marclay – 1993 – Margo Leavin Gallery, Los Angeles, Christian Marclay – 1994 – Daadgalerie, Berlin, Germany; and Fri-Art Centre d'art contemporain Kunsthalle, Fribourg, Switzerland, Amplification – 1995 – Chiesa San Staë, Venice Biennale, Venice, Italy, Accompagnement Musical – 1995 – Musée d'Art et d'Histoire, Geneva, Switzerland, Arranged and Conducted – 1997 – Kunsthaus, Zurich, Switzerland, Christian Marclay – 1999 – Paula Cooper Gallery, New York City, USA, Snap!  Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes".. Find the latest shows, biography, and artworks for sale by Christian Marclay. His critically acclaimed film The Clock (2010) compounded hundreds of film scenes where a clock or a watch displays a certain time. He holds both American and Swiss nationality.  He studied at the Ecole Supérieure d'Art Visuel in Geneva (1975–1977), the Massachusetts College of Art in Boston (1977–1980, Bachelor of Fine Arts) in the Studio for Interrelated Media Program, and the Cooper Union in New York (1978).  As a student he was notably interested in Joseph Beuys and the Fluxus movement of the 1960s and 1970s. Some of Marclay's musical pieces are carefully recorded and edited plunderphonics-style; he is also active in free improvisation. Marclay has performed and recorded both solo and in collaboration with many musicians, including John Zorn, William Hooker, Elliott Sharp, Otomo Yoshihide, Butch Morris, Shelley Hirsch, Flo Kaufmann and Crevice; he has also performed with the group Sonic Youth, and in other projects with Sonic Youth's members. 1955) is known for his distinctive fusion of image and sound. As in his music and video works, which splice together found recordings and film footage, the comic book segments are culled and re- contextualized in vibrant, dynamic ways. Featuring two new video works that reconsider the relationship between image and text, the exhibition foregrounds the role of collage, the readymade and the poetics of chance encounter within Marclay's wide-ranging practice. “I’ve always been interested in how sound is visualized,” he explains. Celebrated as a pioneer of turntablism, Marclay transforms sound and music into visual and physical forms through performance, collage, sculpture, large-scale installations, photography, and video. Christian Marclay is a London and New York based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. Of sensory data 12 ] in Five Cubes ( 1989 ), presenting a of! 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